Schiavi, Luigi Carlo (2025) Di un recente convegno, e delle ragioni e prospettive di una ricerca sulla scultura romanica ‘lombarda’. Fenestella. Inside Medieval Art, 6. pp. 9-12. ISSN 2784-8663
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Abstract
[EN] The PRIN2022 project Deconstructing “Lombard Identity”. For a New Vision of Romanesque Sculpture in the North Italian Context investigates the functions of images and the communicative strategies active in Romanesque Lombardy through its most representative artistic medium: stone architectural sculpture. Moving beyond the historiographical construct of “Lombard-ness”, the project reassesses formal, technical, and contextual specificities within clearly defined geographical and chronological limits. By foregrounding local contexts and emphasising diversity over inherited analogies, it aims to redefine long-standing interpretative models. The Parma 2024 conference – followed by the concluding meeting in Pavia and Milan – constituted an essential first stage in reframing the methodological and historiographical foundations for future research.
| Tipologia del documento: | Articolo in rivista |
|---|---|
| Parole chiave: | PRIN 2022; Lombard Sculpture; Romanesque Sculpture |
| Soggetto: | D History General and Old World > D History (General) > D111 Medieval History N Fine Arts > NX Arts in general |
| Depositato il: | 21 Ago 2026 21:40 |
| Ultima modifica: | 26 Ago 2026 20:26 |
| URI: | https://www.rmoa.unina.it/id/eprint/7946 |
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